Airing of Grievances

Look, I know it's sloppy and the singer can hardly sing. . . but the whole band plays their instruments well, and the songwriting is mostly solid throughout, and quite frankly it is refreshing to hear music that is so full of emotion and rocks so hard.

("The Airing of Grievances" by Titus Andronicus) Taking their name from Shakepeare's bloodiest, most violent tragedy, New Jersey's Titus Andronicus could be the American response to Arctic Monkeys. While the two bands sonically have little in common, adulation from the blogosphere and Pitchfork Media have focused white hot attention to their debut album. With a rowdy bar band attitude and sweeping choruses, not to mention the occasional blast of horns, they could be called a punk rock version of Springsteen's E Street Band. Okay, that's sadly inevitable for a New Jersey band, but this time the comparison holds water. Filled with working class ennui and rage, but also with brains to match, not to mention the ability to write catchy indie-punk songs, TA will get you sweaty and drunk just by listening to them. The album opens with their all-purpose anthem, "Fear and Loathing in Mahwah, NJ," a song that starts out soft and hushed but comes alive with a hoarse shout of "[...] You!" What follows throughout the rest of the album is all breakneck speed, go-for-broke rock n' roll excess, the very example of a band with too many ideas let loose in the studio for the first time. It's all a little exausting, but one supposes it was meant to be. To extend the Boss comparison, imagine a show that was all "Born To Run" and "Thunder Road" but no "I'm On Fire." Even the relatively slow "No Future, Part One" leads into the faster tempo of the cheekily-titled "No Future, Part Two: The Day After No Future." They're not stopping to catch a breath, so why should you? Some random notes: the album's name is taken from an episode of "Seinfeld" (you know, the one about "Festivus"). The album includes brief end-of-song readings from the original Shakespeare play (of course) and a bit from Camus' "The Stranger" (in a song called "Albert Camus"--literature classes in New Jersey are apparentely good). The band's self-titled song is the best thing The Clash never wrote. Singer Patrick Stickles does not, contrary to what many have said, sound like a screaming Conor Oberst--he's closer to an American Joe Strummer. The only real question is: will the band have as long or rich a career as Strummer? I for one can't wait to find out.

Album is a grower. As a fan of Against Me! and the Clash, this is perfect.

Such a great album to own. Lyrics are amazing and the beat is addicting. Can't get enough of this punk/indie/folk stuff.

Great album.

It's nice that bands like Titus Andronicus can squeeze fresh songs out of the very simple medium that is punk rock. This album has a lot of classic punk but also a lot of distortion, maybe somewhere between Black Flag and Sonic Youth. The music is loud, proud, and worthy. I don't really know anything about this band, but their lyrics seem to mine the classic theme of youthful alienation, with a post-punk artistic and literary sensibility. Their music is rough and edgy while their lyrics reveal some erudition. If Thurston Moore and Paul Westerberg had somehow teamed up when they were in their early 20's, you might get something like the sound of Titus Andronicus. This is one of my favorite albums released so far in 2009.

Loud. Distorted. Melodic. This is the post-punk album I needed at this point in my life. It makes me want to pick up the guitar again and change the world, using three chords and lots of literature references. Hopefully these folks with survive long enough to give us a few more. Truly inspirational.